Volume 04 Issue 11-2024
126
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
This article provides an in-depth analysis of the evolution of visual arts in Uzbekistan during the period of
independence, examining the cultural and artistic transformations that have shaped the nation's contemporary art
scene. A particular focus is given to the career and creative journey of renowned artist Nodira Oripova, whose works
exemplify the spirit and artistic innovation of this era. By exploring the unique stylistic elements and thematic depth
of Oripova's oeuvre, this study highlights how her art reflects both national identity and individual expression,
contributing significantly to the discourse of modern Uzbek visual arts.
KEYWORDS
Visual Arts of Uzbekistan, independence period, Nodira Oripova, Artistic Development, Contemporary Uzbek Art.
INTRODUCTION
Despite the fact that the creative potential of artists
has been under strict ideological control for many
years, by the end of the 20th century, a strong school
of painting was formed in Uzbekistan, the
independence of creativity and freedom of spirit gave
new strength to artists' artistic self-expression. The art
critic Ne'mat Abdullaev says about this in the book
"History of the Art of Uzbekistan": "...In the years of
independence, the subject of painting expanded. As a
result of the artists' appeal to national history, the
forbidden aspects were revised. They were evaluated
objectively. From this period, new themes, first of all,
events related to national history attracted many
Research Article
THE IMAGE OF WOMEN IN THE WORK OF NODIRA ORIPOVA
Submission Date:
November 07, 2024,
Accepted Date:
November 12, 2024,
Published Date:
November 17, 2024
Crossref doi:
https://doi.org/10.37547/ajsshr/Volume04Issue11-18
Sharofat Yusupova
Researcher, National institute Fine arts and Design after named Kamoliddin Behzod, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajsshr
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 11-2024
127
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
artists. Portraits and compositions related to national
history appeared in art..." (p. 2.205).
A large number of exhibitions held in 1991-2000
confirm that easel painting of this period is
distinguished by the variety of styles and
compositional solutions. This, in turn, developed in all
respects to the new era, which gave artists the
opportunity to independently choose the form and
means of expression in the artistic image.
The well-known artist Nodira Oripova is distinguished
by its brilliance, the combination of the spirit of
nationalism and modernity.
Nodira Oripova was born in 1959 in Kattakorgan district
of Samarkand region in an intellectual family. From the
8th grade, he began to attend the "Painting" club at
the children's art center in Kattakorgan. Seeing
elegance and brilliance in his drawings, his teachers
advised him to study in the capital.
After finishing school, P.P. in Tashkent. He entered the
Benkov Republic Art College (Republican Art College)
and began to learn the secrets of painting from his
teacher G.V.Moiseev. In 1980-1986, the theater named
after Ostrovsky and painting at the institute study
continue made In the institute teachers From N.
Koziboev , M. Saidov , T. Ogonesov , V. Kovinin painting
of art secret - secrets thorough learned .
Rare Oripova since 1988 starting pedagogical activities
Statutory in the name of Tashkent State Pedagogical
University at the Faculty of " Art Graphics" . to students
a lesson from giving started
Since 1999 starting from Uzbekistan Artistic Creators
association member
Rare Oripova - since 1987 republic - wide different at
exhibitions active began to participate. " Navroz " and
Independence to the holiday dedicated to " Nature and
artist ", " Women and like " flowers ". at exhibitions
active participation reached Also one how many
international exhibitions participant.
Volume 04 Issue 11-2024
128
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
2012 - Ikuo Hirayama International culture caravan in
the palace " Woman heart navolari " and 2013 - K.
Behzad in the name of East miniature art in the
museum " Woman heart glosses personal Blind games
were liked by the audience and creative people.
2011, our government awarded Nodira Oripova with
the Order of "Friendship" for her contribution to the
visual arts of Uzbekistan. Works created by Nodira
Oripova are stored not only in our republic, but also in
private collections of countries such as France, Turkey,
Russia, Germany, Belgium.
Creation enjoy r assamese his work is unique. Someone
in the morning creativity if he does, again someone in
the quiet night ... Rare Oripova's creativity his own
cheerfulness with separate stands Painting in still life,
landscape, portrait genres more creativity does But of
his creation main part women image to create directed
In the artist's lines, the softness characteristic of the
Eastern spirit can be felt. Sister Nadira studies ancient
murals and artifacts found in fossils and creates works
of art, enjoying the beauty of painting and miniature
art. The West and the East try to harmonize the
traditions of image creation. It is not wrong to say that
his
works
"Jugs",
"Komgons",
"Jugs
and
pomegranates" were created based on the findings
that have reached us.
We appreciate a woman as a symbol of beauty, loyalty,
and femininity. Centuries-old grassy looks, modest
expressions, and wonderful jewelry of our mothers
have reached us. We can see this in the works of the
artist, which are similar to miniature art, such as
"Afrosyab musavvirasi", "Beauty of Varakhsha",
"Madonna of Samarkand", "Sogd wedding".
Musavvira's goal is not only to create beauty in women,
but also to hear their inner pains and heartbreaks and
express it through various bright and broken colors.
Also, she tries to express the influence of the world
around her, the feelings that cover her div while
touching the delicate strings of a woman's heart. Being
Volume 04 Issue 11-2024
129
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
a woman, the artist has a better understanding of
women and tries to express this in the facial
expressions of the images. At first glance, if the
position of a woman covered with beautiful ornaments
and holding a pomegranate is depicted, the light on her
face and bright eyes indicate her happiness.
In a word, the whole life of Nodira Oripova has moved
to paints. The artist captured all the joys and pains he
felt and conveyed them to the viewer. We think that
every art lover who sees this exhibition will rediscover
the heart of a woman.
Musavvira was inspired by oriental miniatures,
carefully looked at Afrosiyab's mural paintings, realized
that women were depicted with respect, beautiful
dresses and jewelry, and realized that women were
treated with high respect in the east, and tried to
reflect this tradition in his work. In his opinion, the spirit
of the ancient pictures depicting "Beauties of Afrosiab"
is very high, and it has a strong influence on the psyche
of the viewer. The artist says that the artist believes
that the ancient frescoes depicting the "Beauties of
Africa" that inspire him were painted by a woman in
the past. Therefore, he tried to reflect these thoughts
in the image of one beautiful Afrosiyab.
In the photos of artist Nodira Oripova, you can see the
harmony of the spirit of nationalism and modernity.
This is a very complicated creative process, which the
artist was able to patiently go through. If we pay
attention to the work of other artists, there are not
many pictures that talk about women's history in their
Volume 04 Issue 11-2024
130
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
works. An interesting aspect of Nodira Oripova's works
is that they are presented in an understandable and
simple way even for the viewer who sees them for the
first time.
In this work east of his wife character , internal the
world and experiences reflection reached is standing
Seeing as you stand , his hand to prayer open , from the
Creator of his child good health birth asking intention
doing Uzbek of his wife symbol ... Artist of a woman
the same at rest the spirit and doing intentions are pure
blue in color , it is reflected reached standing
environment with the background color closely to
express movement did
Nodira Oripova was born and grew up in the
Kattakorgan district of Samarkand, because of her
pure love and warm feelings for her homeland, one can
see the reflection of the legendary city of Samarkand
in the background of some of her works.
In the dresses of some of the beauties, various jewels,
jewels, various colored beads and natural beads are
used, while the shiny dresses of some of the beauties
are decorated with gold, which makes the fabric
livelier. This natural beauty arouses interest in the
viewer and gives cultural entertainment and aesthetic
pleasure.
REFERENCES
Volume 04 Issue 11-2024
131
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
11
P
AGES
:
126-131
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
1.
N.Abdullaev "National portrait art of Uzbekistan".
Publishing house named after G. Ghulom, 2011
2.
N.Abdullaev "History of the Art of Uzbekistan",
Publishing House of the National Society of
Philosophers of Uzbekistan, Tashkent 2007
3.
U. Mamatov "Historical works of art in the culture
of Uzbekistan (second half of the 20th century,
beginning of the 21st century)", Tashkent,
"Mumtoz soz" 2018
