THE INTERPRETATION OF THE IMAGE OF ALEXANDER OF MACEDON - ISKANDAR IN THE NOVEL "SPITAMEN" BY MAKSUD KORIYEV

Abstract

Alexander the Great, who marched to Central Asia in the temptation to become the ruler of the world, is convincingly depicted in the work that Alexander's dreams turned into a mirage due to the valiant struggle for freedom that the Sugdians, Scythians, Masgates, Sakas and Daxians united against him. The writer has truthfully shown that war is an unprecedented disaster for humanity, that neither its victims nor those who ignited its fire can win.

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Mamurova Mushtari Makhammadjanovna. (2023). THE INTERPRETATION OF THE IMAGE OF ALEXANDER OF MACEDON - ISKANDAR IN THE NOVEL "SPITAMEN" BY MAKSUD KORIYEV. American Journal Of Social Sciences And Humanity Research, 3(12), 115–120. https://doi.org/10.37547/ajsshr/Volume03Issue12-16
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Abstract

Alexander the Great, who marched to Central Asia in the temptation to become the ruler of the world, is convincingly depicted in the work that Alexander's dreams turned into a mirage due to the valiant struggle for freedom that the Sugdians, Scythians, Masgates, Sakas and Daxians united against him. The writer has truthfully shown that war is an unprecedented disaster for humanity, that neither its victims nor those who ignited its fire can win.

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Volume 03 Issue 12-2023

115


American Journal Of Social Sciences And Humanity Research
(ISSN

2771-2141)

VOLUME

03

ISSUE

12

P

AGES

:

115-120

SJIF

I

MPACT

FACTOR

(2021:

5.

993

)

(2022:

6.

015

)

(2023:

7.

164

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

ABSTRACT

Alexander the Great, who marched to Central Asia in the temptation to become the ruler of the world, is convincingly

depicted in the work that Alexander's dreams turned into a mirage due to the valiant struggle for freedom that the

Sugdians, Scythians, Masgates, Sakas and Daxians united against him. The writer has truthfully shown that war is an

unprecedented disaster for humanity, that neither its victims nor those who ignited its fire can win.

KEYWORDS

Maksud Kariyev, Iskandar, Spitamen, Aspat, Dariyad, image, battle, Sugdian, Greek.

INTRODUCTION

In Western and Eastern literature, there are many

works dedicated to Alexander the Great and

interpreted as a prototype. For example, in the

classical literature of the East, great authors such as

Amir Khisrav Dehlavi, Nizami Ganjavi, Abdurahman

Jami and Alisher Navoi used the image of Alexander in

the ideas of social justice and glorification of the ideal

hero. However, the historical reality shows that

Alexander the Great cannot be interpreted as not only

a just king, a just ruler, but also a person with a

generally positive character. Alexander's marches are

for the purpose of invasion and robbery, it can be seen

in Vasiliy Yan's novels "Kurgan Uzra Khanlar", Yavdat

Ilyasov's "Sugdiyona", Isfandiyar's short story

"Kasam", Mirkarim Asim's story "Spitamen and

Alexander", Muhammad Ali's "Spitamen" series. It is

explained in Among them, we can add "Murg uz-

Zahab" by the Arab historian Masudi, "History of

Research Article

THE INTERPRETATION OF THE IMAGE OF ALEXANDER OF MACEDON -
ISKANDAR IN THE NOVEL "SPITAMEN" BY MAKSUD KORIYEV

Submission Date:

December 06, 2023,

Accepted Date:

December 11, 2023,

Published Date:

December 16, 2023

Crossref doi:

https://doi.org/10.37547/ajsshr/Volume03Issue12-16


Mamurova Mushtari Makhammadjanovna

Fergana State University 2nd Year Foundation Doctoral Student, Uzbekistan

Journal

Website:

https://theusajournals.
com/index.php/ajsshr

Copyright:

Original

content from this work
may be used under the
terms of the creative
commons

attributes

4.0 licence.


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Volume 03 Issue 12-2023

116


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(ISSN

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VOLUME

03

ISSUE

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OCLC

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Publisher:

Oscar Publishing Services

Servi

Alexander the Great" by the Greek historians Quintus

Curtius Rufus, and "The Campaigns of Alexander" by

Arriye. In Maqsud Qariyev's novel "Spitamen" the

image of Alexander is vividly reflected in accordance

with historical reality. He is sometimes a fair judge (in

Habit and in his treatment of his slave), brave (in his

fight with the tiger), able to accept the truth (in his

treatment of Aspat's words), cruel (in his punishment

of Bess, in his treatment of Usrushonya and Krikhasta),

greedy for wealth It truthfully illuminates aspects such

as slyness (in relation to Namech), awareness of every

event in the palace (in relation to Clitus and

Lysimachus), weakness in front of any criticism of

oneself, inability to accept it (in relation to Darius and

Roma). For example, in the "Clash with the King of the

Forest" part of the play, Aspat, a Sugdian hunter,

accompanies Iskandar as a guide. According to

Iskandar's request, Aspat spoke about Spitamen's

bravery and bravery, not forgetting the good, not

forgiving the bad, and compared him to a tiger that

was hunted on that day.

Aspat justifies his opinion as follows: "There is a reason

why I look like a tiger. I have been walking in the forests

for several years and have studied the nature of

animals and birds well. Among all animals, there is no

animal as strong, intelligent, delicate nature as a tiger.

The reason I say this is that, even if the tiger is strong,

it does not hunt in vain, when it is necessary, when it

opens its stomach, it throws itself at animals. If he

encounters animals of equal strength, he tries not to

start a fight if possible. He will only fight if he attacks

him.

"What do you mean by delicate nature," said

Iskandar curiously.

The tiger looks after itself very much, it does

not infect any place, here it is

now take the tiger you hunted, clean even to the feet.

Then he likes to walk in the most beautiful places of the

forest, by the water's edge, feed on beautiful trees,

and listen to the chirping of migratory birds.

"Why did you make Spitamen look like a tiger?"

asked Iskandar again.

Because Spitamen is a strong, dexterous and

restrained guy. It does not

touch the untouchable, if you touch his anger, he will

not survive. That's why I said, he's a good-natured,

gentle nature, a good hunter, if you see him, he'll light

you up in just one conversation" [1,130-131].

It can be seen that the writer collected a lot of

materials to reflect aspects specific to Aspat and

Iskandar's character and worldview, and then placed

them on the pages of the novel through their speech,

which created the uniqueness of the interpretation of

these characters. The author embodies the images of

these two characters through their mutual


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Volume 03 Issue 12-2023

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SJIF

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Publisher:

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Servi

observations and internal dialogues. In the novel,

Aspat's situation is described as follows: "Aspat was

lying on felt like a child, talking to an ordinary hunter so

arrogantly, looking at the world-famous king like

Alexander the Great, shaking the world. "I talked to a

king like Alexander like that, who would believe that he

was curled up on a simple felt! The world wandered to

this place with the help of the sky, if Aspat hits the head

with his moon ax, then everything will turn into a mess,

and the world will be saved from a global invader. But

such a thought does not even occur to him now,

because he lives with the ideals of truth, there is no

malice in his heart, he is an ordinary child of the people

of Sugdiyana, and on top of that, he is a hunter, a devil

of nature. Hunters will never be evil or evil. They like to

eat halal. He does not shoot at a pheasant walking on

the ground, but shoots it with a bow after flying"

[1,130].

The writer describes Aspat from Alexander's point of

view: "Iskander was fed up with the fact that this

savage was talking without hesitation, even bragging

about his enemy and saying, 'There is no such hunter in

Sogdia.' But Iskander was calmed by the simplicity of

the young man, and the fact that he said what was in

his heart. Because the king knew that evil would never

come from such people. It was the same inside and on

the face of the horse. The fact that some people have

become accustomed to speaking in front of the king,

concealing the bad and exaggerating the good in front

of the king, does not bring out the king's demon"

[1,129].

Alexander, who only likes the right words and does not

punish those who tell lies, cannot tolerate Dariad's

truthful words about him. The question and answer

between Dariyad and Iskandar is very close to the

conversation between Khusrav and Farhad in Alisher

Navoi's epic "Farhad and Shirin". There is no doubt that

the writer was influenced by Navoi's work in this place.

When Dariad was brought to Iskandar, he said, "The

intellectuals put their heads to the sword of the

executioners, the slanderers, the slanderers, the dirty

copycats, the skinny people with the wind in their

brains ate food on golden plates. The glamours were

honored, many intellectuals and wise men were

hanged... In Istahr, a book written in gold and blood on

the skin of twelve thousand calves was burned. With

him, if you know, intelligence and faith burned. Twelve

million lines of elegant words, poetic verses, burned to

ashes! May history forgive this, great king!" [1,123].

These words of Darius made Alexander angry and

ordered him to be expelled from the city, saying that

he would not let him see him again.

Dariyad in the play is a person who spreads the wisdom

of "Avesta". Darius, who testifies to the vitality of the

people's genius, first informs Spitamen that the

invaders are invading the country. Then, appearing

from time to time during the events of the novel, after


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Volume 03 Issue 12-2023

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American Journal Of Social Sciences And Humanity Research
(ISSN

2771-2141)

VOLUME

03

ISSUE

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P

AGES

:

115-120

SJIF

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(2021:

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(2022:

6.

015

)

(2023:

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164

)

OCLC

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Publisher:

Oscar Publishing Services

Servi

the tragic death of Spitamen, he speaks painful words

on his grave and sings his old song. Dariyad urges the

people

to

protect

the

Motherland,

mutual

cooperation, kindness and creativity.

The horror of the invasion of Alexander's troops is

described in the part of the novel "Dombiras don't

stop...". Alexander imposed a tax on the inhabitants of

the occupied areas, giving one horse and thirty bales of

hay to each family. They take people to the fields and

force them to collect hay under the supervision of the

guards. Then a Greek soldier named Roma starts

whipping the pregnant daughter-in-law of a woman

from Usrushona with a whip saying that she is not

doing well. The bride is pregnant and starts to cry from

the whipping. Then a strong woman from Usrushona

fights with Roma, defending her bride, and finally stabs

Roma in the stomach with a sickle. As a result, a fight

broke out between the Greek soldiers and the local

population, and thirty soldiers were killed. Under the

leadership of Kamak, the entire population fled to the

mountains and fought valiantly against Alexander's

soldiers. Alexander's troops found the inhabitants

hiding in the mountains: the elderly, children and

women from the caves and threw them from the

mountain with the help of getairs. At this point, the

writer quotes the following information from the work

of the Greek historian Arrion, "The Campaigns of

Alexander": "Thus, the extremely difficult and tragic

battle in Usrushon left an indelible mark on the history

of Sogdiya, in this battle there were many

mountaineers. although he gave a victim, but for the

first

time,

Alexander's

army

suffered

an

unprecedented blow. Yes, there was no end to the

victims... They were big and small, old and young,

twenty thousand warm souls... " [1,143].

So, in the novel, the writer Aleksandr Makedonskiy - in

creating the image of Alexander, mainly refers to the

pages of history. The development of non-repeating

and diverse events creates his character and image,

which is clearly expressed in the process of struggles

between characters.

REFERENCES

1.

Kariyev M. Spitamen (historical novel). -

Tashkent: Gafur Ghulam Publishing House of

Literature and Art, 1985. - 272 pages.

2.

Parandovsky Ya. Word chemistry. - Tashkent:

New age generation, 2022. - 464 pages.

3.

Avesta. Historical and literary monument. -

Tashkent: Publishing house named after Gafur

Ghulam, 2015. - 700 pages.

4.

The truth of Ibrahim Haqqul. - Tashkent:

"Book" LLC, 2023. - 296 pages.

5.

Ziyoyev H., Ishakov M. Ancient history pages.//

Qoriyev M. Spitamen. - B.267-268.


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Volume 03 Issue 12-2023

119


American Journal Of Social Sciences And Humanity Research
(ISSN

2771-2141)

VOLUME

03

ISSUE

12

P

AGES

:

115-120

SJIF

I

MPACT

FACTOR

(2021:

5.

993

)

(2022:

6.

015

)

(2023:

7.

164

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

6.

Makhammadjanovna M. M. APPEARANCE OF

MAKSUD KARYIEV'S STYLE IN" IBN SINO"

NOVEL //Spectrum Journal of Innovation,

Reforms and Development.

2022.

Т. 5. –

С.

10-12.

7.

Makhammadjanovna M. M. SOURCES OF

INFLUENCE OF THE NOVEL" SPITAMEN"

//International Scientific and Current Research

Conferences.

2022.

С. 48

-50.

8.

Mamurova M., Ruzimatova A. MAKSUD

QORIYEVS CHARACTER CREATION SKILLS

//Theoretical & Applied Science.

2021.

№. 6.

С. 722

-725.

9.

Mamurova M. MAHMOUD GHAZNAVI AS A

HISTORICAL PERSON AND A LITERARY IMAGE

//Theoretical & Applied Science.

2021.

№. 6.

С. 718

-721.

10.

Mahammadjanovna, M. M. (2021). The Role

and Importance of Games in the Development

of Children's Speech. International Journal of

Culture and Modernity, 11, 249-251.

11.

Mahammadjanovna, M. M. (2021). Ways and

Principles of Developing Inclusive Education in

Preschool Organizations. International Journal

of Culture and Modernity, 11, 274-279.

12.

Mahammadjanovna, M. M. (2021). Pedagogical

and Psychological Problems of Speech

Development

in

Preschool

Children.

International Journal of Culture and Modernity,

11, 252-255.

13.

Mamurova

M.,

Ruzimatova

A.

IMPLEMENTATION OF MODERN INNOVATIVE

AND PEDAGOGICAL TECHNOLOGIES IN THE

TEACHING AND UPBRINGING OF STUDENTS

OF THE ELEMENTARY SCHOOL //Theoretical &

Applied Science.

2021.

№. 6. –

С. 726

-728.

14.

KARYIEV'S, M. M. A. O. M., & STYLE, I. (2022).

IBN SINO. NOVEL//Spectrum Journal of

Innovation, Reforms and Development, 5, 10-

12.

15.

Makhammadjanovna M. M. APPEARANCE OF

MAKSUD KARYIEV'S STYLE IN" IBN SINO"

NOVEL //Spectrum Journal of Innovation,


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Volume 03 Issue 12-2023

120


American Journal Of Social Sciences And Humanity Research
(ISSN

2771-2141)

VOLUME

03

ISSUE

12

P

AGES

:

115-120

SJIF

I

MPACT

FACTOR

(2021:

5.

993

)

(2022:

6.

015

)

(2023:

7.

164

)

OCLC

1121105677















































Publisher:

Oscar Publishing Services

Servi

Reforms and Development.

2022.

Т. 5. –

С.

10-12.

References

Kariyev M. Spitamen (historical novel). - Tashkent: Gafur Ghulam Publishing House of Literature and Art, 1985. - 272 pages.

Parandovsky Ya. Word chemistry. - Tashkent: New age generation, 2022. - 464 pages.

Avesta. Historical and literary monument. - Tashkent: Publishing house named after Gafur Ghulam, 2015. - 700 pages.

The truth of Ibrahim Haqqul. - Tashkent: "Book" LLC, 2023. - 296 pages.

Ziyoyev H., Ishakov M. Ancient history pages.// Qoriyev M. Spitamen. - B.267-268.

Makhammadjanovna M. M. APPEARANCE OF MAKSUD KARYIEV'S STYLE IN" IBN SINO" NOVEL //Spectrum Journal of Innovation, Reforms and Development. – 2022. – Т. 5. – С. 10-12.

Makhammadjanovna M. M. SOURCES OF INFLUENCE OF THE NOVEL" SPITAMEN" //International Scientific and Current Research Conferences. – 2022. – С. 48-50.

Mamurova M., Ruzimatova A. MAKSUD QORIYEVS CHARACTER CREATION SKILLS //Theoretical & Applied Science. – 2021. – №. 6. – С. 722-725.

Mamurova M. MAHMOUD GHAZNAVI AS A HISTORICAL PERSON AND A LITERARY IMAGE //Theoretical & Applied Science. – 2021. – №. 6. – С. 718-721.

Mahammadjanovna, M. M. (2021). The Role and Importance of Games in the Development of Children's Speech. International Journal of Culture and Modernity, 11, 249-251.

Mahammadjanovna, M. M. (2021). Ways and Principles of Developing Inclusive Education in Preschool Organizations. International Journal of Culture and Modernity, 11, 274-279.

Mahammadjanovna, M. M. (2021). Pedagogical and Psychological Problems of Speech Development in Preschool Children. International Journal of Culture and Modernity, 11, 252-255.

Mamurova M., Ruzimatova A. IMPLEMENTATION OF MODERN INNOVATIVE AND PEDAGOGICAL TECHNOLOGIES IN THE TEACHING AND UPBRINGING OF STUDENTS OF THE ELEMENTARY SCHOOL //Theoretical & Applied Science. – 2021. – №. 6. – С. 726-728.

KARYIEV'S, M. M. A. O. M., & STYLE, I. (2022). IBN SINO. NOVEL//Spectrum Journal of Innovation, Reforms and Development, 5, 10-12.

Makhammadjanovna M. M. APPEARANCE OF MAKSUD KARYIEV'S STYLE IN" IBN SINO" NOVEL //Spectrum Journal of Innovation, Reforms and Development. – 2022. – Т. 5. – С. 10-12.