Volume 04 Issue 06-2024
54
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
ABSTRACT
The unique features of the poetry of the independence period. And the influence of this process on the literary work
can be seen in the analysis of a number of poems.
KEYWORDS
Poem, friendship, feeling, pain, form, look.
INTRODUCTION
Creativity - word search, selection, sorting, saving and
appropriate use of words a complex process of
hardships. Bakhtiyor Genjemurodov's work occupies a
strong place in the annals of Uzbek and Karakalpak
poetry of the period of national independence. A
simple and fluent method of expression, the priority of
journalistic interpretation and a tendency to socio-
philosophical generalization are noticeable in his work.
The spirit of the era, the essence of life and the desire
to analyze the spiritual suffering of mankind in the
dimension of the national image determine the
aesthetic principles of the artist. The author's style is
Research Article
SPECIFIC SIGNS OF POETIC DEVELOPMENT OF BAKHTIYAR
GENJEMURODOV'S POETRY
Submission Date:
June 11, 2024,
Accepted Date:
June 16, 2024,
Published Date:
June 21, 2024
Crossref doi:
https://doi.org/10.37547/ajsshr/Volume04Issue06-10
Zamira Kabulova
Doctor of philosophy (PhD), Karakalpak State University, Uzbekistan
Dadebaeva Malika
2nd year student, Karakalpak State University, Uzbekistan
Journal
Website:
https://theusajournals.
com/index.php/ajsshr
Copyright:
Original
content from this work
may be used under the
terms of the creative
commons
attributes
4.0 licence.
Volume 04 Issue 06-2024
55
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
explained by the ways of creating an image of the
emotions that ripple in the human mind, creating a
logical connection between words, melody and music,
and showing the excitement and tension leaking from
the heart. There is a strange freshness in the poetic
idea that passes to the reader's emotional perception
as a bright and impressive, complete and integrated,
attractive and emotional, swaying and playful artistic
imagination:
Sening tabiating jumboqdir, Inson,
Olamda ne bo‘lsa, zuvalangda jam.
Tabiatning barcha xossasi zotan,
Jismingda, joningda erur mujassam.
Teringning ostida yashar ashaddiy,
Mahluqlar olamin bosh parlamentlari.
Ulug‘ Mendeleev davriy jadvalin,
Reaktsion kimyoviy elementlari.
Jismingda o‘t va nur, antiqa tok bor,
Tortilish kuchlari, magnit maydoni.
Yuragingda sirli Galaktikalar,
Farishta va Iblis uchar aylanib.
Tangrim yaratganda tuproqdan seni,
Naqd qirq yil yomg‘irda iylab pishirgan.
Rosa bir kam qirq yil quyib g‘am selin,
So‘ngra bir yil shodlik nurin tushirgan.
Shuning uchun yovuzlikka moyilsan,
Gunoh ishga boshlar qadaming, yo‘ling.
Shaytonning shahriga kirib, keyin sen
Farishta bulog‘ida yuvasan qo‘ling1.
The warmth of the verses, the aesthetic harmony and
the scope of reality create a unique scene. Literary
interpretation is distinguished by its simplicity,
harmony with classical traditions, and eloquence of
elegant beauty. In it, the unity of words-observation-
idea creates impressiveness, in which artistic
comparison controls the image calendar, in which the
spread of imagination compacts the way of smooth
expression. In the film, the conflict between feelings
and consciousness develops into an aspect that
determines the uniqueness of the psyche of the image.
The poet is well aware of the human psyche, range of
emotions and way of thinking. An active mental
attitude to image, analysis and interpretation
determines the nature of the author's artistic
observation. The skill of sensitive, infectious and
impressive materialization of impression represents
the essence of his artistic research. The creative word
adds an additional layer of meaning to it by increasing
its power and memory.
Volume 04 Issue 06-2024
56
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
The main factor that ensures the uniqueness of the
poet's literary interpretation is the uniqueness of the
author's skill. The set of elements that provide this
uniqueness constitutes the artist's style. It is known
that stylistic originality is formed as a result of tireless
creative research, great life and artistic experience,
and hard work. The stylistic originality is manifested
both in the choice of the subject and in the way of its
reflection. In the lyrics of Behzod Fazliddin, the
uniqueness of style is manifested in its own way. The
poet pays more attention to the image of mental states
that are not noticeable in a person. In most poetic
analysis, the author tends to understand the world,
perceive the essence of the concept. In the poet's
poetic observations, the human psyche is carefully
studied to the smallest details, the directions of the
individual's will are reflected in a logical connection.
For the poet, it is not reality, but man and his pleasures
that are interesting. Like any person, the lyrical hero, of
course, strives to understand the "enigma of
existence" as a certain set of causes and effects. The
artist forms criteria for aesthetic assessment of the
world in a new dimension in the series of difficult but
unsolvable problems of life.
Bakhtiyar Genjemurad was able to create his own
unique style and unique artistic world in poetry. This is
evidenced by the emotional allusions in the turf colors
and the continuity of the traditional observation
instilled in them. Harmony with the spirit of the era is
the leading dish of the poet's lyrics. The general idea
and its manifestation in a holistic vision are the core of
the author's artistic research. In the interpretation of
the artist, who is increasingly gaining his own voice, the
width of the image seems to be expanding. In most
cases, the poet intensifies his observation in order to
ensure the intensity of the emotional experience.
Clarity of thought and a smooth image method
determine the success of the current creation. In the
literary interpretation of the author, whose sincerity of
feelings and independence of expression are softened,
the scale of the image is unique. Stability and light
analysis come together in the style of poetic poetry
capable of causing surprise and delight. Poetic
perception is polished in a special way in the work that
tends to express suffering.
Every creative artistic concept always strives for
objectivity. Consequently, in literary interpretation, a
separate worldview is created, which creates
competition. More precisely, the spirit of the time, the
personality of the author, and the individuality of the
hero are mixed in a logically organized artistic
conceptualism.
Philosophical-educational-ethical
foundations of the socialized essence are centered in
it. In the conditional expression, activity, worldview,
consciousness and feeling demonstrate the evolution
of analysis and transformation. In fact, the leading
factors that destroy both the spirit of the age and the
spirituality of the individual are linked to the density of
Volume 04 Issue 06-2024
57
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
social relations. The strength of personal will is the
leading criterion that protects a person. In the literary
discussion, emphasis is placed on the essence of
human pride. The poet raises the internal opposition
that seems to be bubbling inside the person to the
center of analysis. It is the materialization of the
problem that serves as a guide to the literary essence.
Realization of emotion indirectly and directly in the
mind ensures the development of expression. The
impression of feeling, which constantly moves from
abstraction to concreteness, relies on artistic content.
The poem creates conditions for the liberation of
literary logic, as soon as the meaning of the poem
acquires relevance in the main observation of the
author.
On the other hand, if we take into account that creative
individuality is the aesthetic center that determines the
core of the methodological approach, the essence of
the issue becomes clearer. It is the separation,
grouping and categorization of the concept that
explains the nature of poetic research. In fact,
consciousness is a fully expressive system in which
unconscious essence is transformed into conscious
reality. In any case, the transformation of moral criteria
into an aesthetic sense is nourished by the nature of
the creator. In an independent literary position, the
national image turns into a universal value:
Husn - mulking egasi devona aylab,
Mag‘ribga, mashriqqa tashla
b jabr etdi,
ham aqlu hushimdan begona aylab,
seni izlamoqni menga amr etdi.
Mevazor bog‘lardan izlayman seni –
shoda-shoda uzum, olmayu anor,
serhosil yoz hamda kuzdaysan endi,
siynangda gul bilan sutning isi bor1.
Human life is full of endless mysteries. Each person's
space of existence is a whole book in its own right. And
the human heart is considered a miraculous creature
that nourishes and illuminates these pages. The
essence of the soul, which always exposes human life
to various destinies, is very complex, while concepts
such as goodness and evil, loyalty and betrayal, love
and oppression live side by side in the world, the
human heart creates itself between these shores of
life. , conquers and discovers. The heart is a comforter
on the path of struggle, with only poetry as a
companion. Poetry and heart are twin concepts. In
order to understand the world, the poet talks to
himself in the language of poetry, and thanks to this
means, he shows his existence, his creative "I". In the
world, only poets have the potential to materialize the
bliss of speaking with the heart.
Since the 90s of the 20th century, the Uzbek people
have entered a new stage of their history. At the
Volume 04 Issue 06-2024
58
American Journal Of Social Sciences And Humanity Research
(ISSN
–
2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
present time, the so-called literature of the period of
independence, as well as an aesthetic expression of
the socio-spiritual landscape of the nation, has
emerged as an artistic phenomenon. Uzbek literature
of the period of independence is a logical continuation
of centuries-old national literature. Uzbek literature of
the period of independence is an artistic and aesthetic
phenomenon with a number of unique characteristics.
Uzbek literature of the period of independence is a
product of a radically changed national consciousness,
a completely renewed aesthetic thinking.
In fact, a person gets his sorrows and pains from
society and its conflicts. All the injustices, betrayals and
sufferings that he sees originate from the harm caused
by the society, are nourished and expressed in verses.
The poet is struggling to overcome this injustice. His
sufferings are increasing day by day and he is
completely destroying himself. Underneath "Bozzal" is
the truth of a bitter cry. In this way, he is freeing his
heart by looking at the piece. It can be concluded that
such a set of allusions promoted the existence of the
image. The unwritten laws of society, injustice and
injustice are sowing the seeds of endless suffering in
the poet's heart. He does not think of "washing away"
his suffering from the betrayals and injustice of the
people around him. They fight only with their own "I".
He thinks as much as he can. Analyzing analogical and
typological similarities in the work of B. Genjemurod
and other poets, it is understood that human suffering
is promoted through his "I".
On the one hand, friendship between peoples
developed the rules of poetic form, on the other hand,
it strengthened the balance between thought and
feeling. By itself, modern thought began to appear in
the observations of U. Hamdam, B. Genjemurad,
Oydinniso, J. Izbaskanov.
Let's say that B. Genjemurad always expresses the
sadness of Arol, while U. Hamdam considers looking
into the human heart as a primary element.
B. Genjemurod's collection "Ukuzdarya Bitikari"
published in 2006 has been attracting the attention of
the literary public for fifteen years. It reached the
hands of Uzbek readers based on the translation of R.
Musurman:
“Yuragimda hasrat, dardim ko‘p mening,
Sendan bo
shqa dardkashim yo‘q mening,
Bu dunyoda, bu yolg‘onda xo‘p mening
Munglasharim, sirlasharim
–
dutorim.
Do‘stlar ketsa galma
-gallari bilan,
Har kim ham mard turmas hollari bilan,
Tunlar bedor otgan tonglarim bilan
Volume 04 Issue 06-2024
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American Journal Of Social Sciences And Humanity Research
(ISSN
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2771-2141)
VOLUME
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ISSUE
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P
AGES
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54-60
OCLC
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1121105677
Publisher:
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Servi
Munglashlarim, sirlasharim
–
dutorim.
Hech kimsasiz yolg‘iz o‘zim qolganda,
Oydin oqshom ko‘ngil dardga to‘lganda,
Men kimnidir kutib, qalbim yonganda
Munglasharim, sirlasharim
–
dutorim
In this poem, the concepts of "heart", "longing",
"pain" are the main red thread in the poem - they act
as a creative motivation. It is especially sad,
mysterious, the sound tool is a companion. To the
surprise and pain of the European freedom movement
singer F.G. Lorca, "guitar" was used, "dutor" for B.
Genjemurad, and "rubob" for U. Hamdam. The image
of a musical instrument is a tool for the poet to express
his inner feelings, "subconscious feelings". The artist
was able to logically emphasize this aspect when he
said "My magic, my secret - my teacher". When this
situation is considered as a traditional typological
value, the veracity of our above comments is evident.
The pain of the poet is so great that his friends are
abandoning him one by one. The poet is alone in his
world, in his real life. Leaning on Dutor allows him to
express all his sorrows in a melodious melody. As long
as there was no dutor, the "experience" of the poet
would not have come to light. This feature is
characteristic of the poet's pain, it testifies that he was
able to find a name, meaning, and form. The art of
metaphor (simile) in the poem paves the way for
evaluating the artist as a listener, lover of human pain.
As a result, the poem's poetic completeness, content
integrity, and depth of meaning are ensured..
Consequently, each period has its own literary
interpretation, and the nature of the creator evaluates
the landscapes of the time in a separate aesthetic
perception. The degree of freedom that arose in the
society in the 90s, first of all, created fractures in the
literary worldview. Because the serious changes
observed in the criteria of ethics led to the
improvement of skills in the new observation formed
during the century, and consequently, the process of
renewal in literary types and genres. During the period
of independence, the existing experience was rapidly
enriched. The main thing is that during this period, a
solid ground was prepared for the formation of real
freedom of thought, various ideological, creative and
aesthetic researches, and literary schools. Actually,
since time immemorial, "our people consider literature
as a sacred and great place. Such an assessment clearly
shows that trust, respect, and respect for the
representatives of this field, their truthful words, and
deeply meaningful works in the life of our country have
been raised to a high level since time immemorial. in
turn, the value of each literary interpretation leads to
the development of a new artistic concept.
REFERENCES
Volume 04 Issue 06-2024
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American Journal Of Social Sciences And Humanity Research
(ISSN
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2771-2141)
VOLUME
04
ISSUE
06
P
AGES
:
54-60
OCLC
–
1121105677
Publisher:
Oscar Publishing Services
Servi
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